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2011年9月2日星期五

UTexas - Austin Ads Feature 3D Screenings


The University of Texas at Austin is launching a campaign to promote the University on the new network of Longhorn and UT game shows or school events. The ads have pictures of a video projection on the UT Tower, which highlights the ancient and famous uses 3D graphics to make the building look as if it is made of spinning blocks that fit together like puzzle pieces .

The effort, via GSD & M in Austin, and Cut Collective, composed of five spots to expand from 10 years of college, "What starts here changes the world" tag.

Under the theme "Look Up," "Why," "Footsteps", "competition" and "Awards", the ads show pictures of known candidates such as Walter Cronkite, Michael Dell, heart surgeon Denton Cooley, NASA astronaut, Alan Bean, and writer John Coetzee, who won the Nobel Prize for Literature.

The first notice published August 26 in the network of Longhorn. The ads also will air the game on FSN stations like ABC and ESPN, UT giant screen, and online at www.UTexas.edu.

Kathleen Mabley, director of brand communication at the University of Texas at Austin, says most of the airtime will be the new Longhorn system on ESPN, "then it is a fairly specific audience of fans in Texas ".

Among the new networks for Longhorn, launched August 26 Mabley says ESPN partnership will be 90% of sports content. Two conferences have begun NCAA dedicated network, while a third will be in 2012, but UT is the first university to do solo.

"The goal is to reach our main base of the ancients.'s Not the financing of both the current situation, even if it is run very efficiently, we are a big university to ensure that budgets are tight and funding. Thus, A first objective is to motivate students to think beyond the next generation. "Mabley said there are about 400,000 living former UT Austin.

2011年8月21日星期日

George Clooney's 'The Descendants' to Close New York Film Festival

The festival's main slate consists of 27 feature films and the return of On Cinema.
The Film Society of Lincoln Center has announced that Alexander Payne's The Descendants, starring George Clooney, will be the Closing Night film at the 49th New York Film Festival.
The festival's main slate consists of 27 feature films and the return of On Cinema, previously titled The Cinema Inside Me, which will feature an in-depth conversation with Payne. This year's festival will also feature programming to complement the main slate, including Masterworks programs.
“In many of the films in this year’s festival, characters pass from recognition of a problem or situation to actual resistance,” says Richard Peña, selection committee chair & program director of the Film Society of Lincoln Center. “This confrontational attitude is perhaps a sign of our increasingly polarized times.”
The Descendants will screen at Alice Tuly Hall on Sunday, Oct. 16 and marks Payne's third time to the NYFF. Sideways and About Schmidt were previously shown.
“We are delighted to welcome back Alexander Payne to the New York Film Festival. Payne's nuanced character studies capture the moral  chaos lurking just below  the surface of everyday American lives," said Rose Kuo, executive director at The Film Society of Lincoln Center.
The NYFF takes place Sept. 30-Oct. 16.
The 49th New York Film Festival main slate:
Opening Night Gala Selection
CARNAGE
Director: Roman Polanski
Country: France/Germany/Poland

Centerpiece Gala Selection
MY WEEK WITH MARILYN
Director: Simon Curtis
Country: UK

Special Gala Presentations
A DANGEROUS METHOD
Director: David Cronenberg
Country: UK/Canada/Germany

THE SKIN I LIVE IN
Director: Pedro Almodóvar
Country: Spain

Closing Night Gala Selection
THE DESCENDANTS
Director: Alexander Payne
Country: USA

4:44: LAST DAY ON EARTH
Director: Abel Ferrara
Country: USA

THE ARTIST
Director: Michel Hazanavicius
Country: France

CORPO CELESTE
Director: Alice Rohrwacher
Country: Italy/Switzerland/France

FOOTNOTE
Director: Joseph Cedar
Country: Israel

GEORGE HARRISON: LIVING IN THE MATERIAL WORLD
Director: Martin Scorsese
Country: USA

GOODBYE FIRST LOVE
Director: Mia Hansen-Løve
Country: France/Germany

THE KID WITH A BIKE
Director: Jean-Pierre and Luc Dardenne
Country: Belgium/France

LE HAVRE
Director: Aki Kaurismäki
Country: Finland/France/Germany

THE LONELIEST PLANET
Director: Julia Loktev
Country: USA/Germany

MARTHA MARCY MAY MARLENE
Director: Sean Durkin
Country: USA

MELANCHOLIA
Director: Lars von Trier
Country: Denmark/Sweden/France/Germany/Italy

MISS BALA
Director: Gerardo Naranjo
Country: Mexico

ONCE UPON A TIME IN ANATOLIA
Director: Nuri Bilge Ceylan
Country: Turkey

PINA
Director: Wim Wenders
Country: Germany/France/UK

PLAY
Director: Ruben Östlund
Country: Sweden/France/Denmark

POLICEMAN
Director: Nadav Lapid
Country: Israel/France

A SEPARATION
Director: Asghar Farhadi
Country: Iran

SHAME
Director: Steve McQueen
Country: UK

SLEEPING SICKNESS
Director: Ulrich Köhler
Country: Germany/France/Netherlands

THE STUDENT
Director: Santiago Mitre
Country: Argentina

THIS IS NOT A FILM
Director: Jafar Panahi and Mojtaba Mirtahmasb
Country: Iran

THE TURIN HORSE
Director: Béla Tarr and Agnes Hranitzky
Country: Hungary/France/Germany/Switzerland/USA


2011年8月16日星期二

"Glee": Five Reasons '3 D Concert "sank At The Box Office


All is not well humming Kids Of New Directions. "Glee: 3D Concert Movie", which sank to the multiplex this weekend, roping, and only $ 5.7 million decrease in 11 place at the box office.

What has happened? View a list of the protagonist in the movie, Lea Michele, Cory Monteith, Chris Colfer, notch-plus scores from viewers of the film under 25 years, and was coming off season "Glee", which averages more than 10 million viewers . MTV News heard a couple of areas of privileged information for the opening of the film, and came up with five reasons to explain the box-office failure:

Demo

A successful 3-D concert film Hannah Montana and Justin Bieber had one thing in common: Tween-centric audience. But, as Jeff Bock, box office analyst for Exhibitor Relations, said that is simply not happen, "joy". "True fans of the TV series is not just a teenager," he said. "The majority of fans are adults, and are certainly not the population that runs out to see a concert film, especially one that has a 3-D. Gleeks Not only are they most likely went to see live performances, the film is taken. "

Bock argues that "Glee", the comparison is not accurate Bieber "Never Say Never", but "U2 3D." The film, he says, is the only concert in 3-D doc is not oriented toward a younger audience. "Despite being one of the most popular bands in the land of U2, the film barely scraped $ 10 million," he said.

Marketing

"Glee" not only suffered from a hostile heart in 3-D documents show, but its successful marketing campaign to attract new eyes. According to Brandon Gray of Box Office Mojo, "In marketing," Glee "was strictly for hard core Gleek to come off as redundant and self-congratulation over casual observers can see the TV series for free. A Despite hype the show, only about about 500,000 tickets were sold for the film. "

Fox TV executives were reportedly satisfied with the marketing effort, and the anonymous source that department without saying the word, "I think it was the SH --- Y campaign, which does not communicate effectively what the films and people who have seen once again positive. I think that characterize the society has taken very relaxed approach, feeling their only mission was to warn the core fans, and not simply to fill seats. "

"Help"

While the marketing campaign has been stronger, "Glee" was still in the battle at the box office with "The Help", Emma Stone segregation era drama (which opened with $ 25.5 million). The concert film was released on the losing side. "Clearly, the" help "has arrived, and brought to the attention of the women's section of the large audience," said Phil Contrin, Boxoffice.com editor. "When you have a movie that plays in-like" help, there is a ripple effect, and "Glee" felt the impact of it. "

The 3-D

So he had problems with census data, marketing and crowded multiplex. But do not forget the people started less receptive to the 3-D in general, often choosing to go less than the 2-D path, if the film at hand does not seem a must-see-in 3-D Event . A success like "Harry Potter and the Deathly Hallows, Part 2", for example, has had the most public yet selected a 2-D projections during the opening weekend. For the public "Glee" do not have this option. "All the emotion was not too high, and the lack of regular price alternative to the 2-D received a cash-strapped teenagers are ignorant of the movie," wrote Guru Gitesh Pandya Box Office.

Overexposure

Finally, in 'Glee' was not only against external competition, but themselves. Maybe there's a little 'too' Glee, "going at this time. "Children can watch the real" Glee "free fox and the fake" Glee Project ", with extra oxygen, so why spend the money for milk for a movie ticket?" Nikki Finke wrote in a moment. "And perhaps the" Glee "is a bit 'too exposed at the time and not as cold as it was originally."